Photo
nearlya:

Július Koller Vertikála, 1966 Stoff, Faden, Acryl auf Holzfaserplatte

nearlya:

Július Koller
Vertikála, 1966
Stoff, Faden, Acryl auf Holzfaserplatte

Photo
Photo

(via vagabonne)

Photo
Photo
Cover detail for Objects of Sleep by Patrick Hourihan

Cover detail for Objects of Sleep by Patrick Hourihan

Photo
Photo
galakospeculoos:

Louis Delluc, La femme de nulle part, 1922

galakospeculoos:

Louis Delluc, La femme de nulle part, 1922

(via monochrom23reich)

Photo

(via vintague)

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Photo

Jennifer Messelier by Van Mossevelde + N for Metal A/W 10

Jennifer Messelier by Van Mossevelde + N for Metal A/W 10

(via drencrome)

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Photo
deadgirls:

le-gallo:

andrealeno:

pellenudafremente:

(via sexypubes, anteportas)

(nudo di donna in raggio di sole)

deadgirls:

le-gallo:

andrealeno:

pellenudafremente:

(via sexypubes, anteportas)

(nudo di donna in raggio di sole)

Quote
"The feelings that hurt most, the emotions that sting most, are those that are absurd; the longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are."

— Fernando Pessoa (via musiquevisuelle)

(Source: alanarene, via drencrome)

Quote
"Sure I was getting high. And naturally I was not denying myself the pleasure of female company. But none of this kept me from working. I always put first things first. On the other hand, smack didn’t decrease my productivity or stimulate my creativity. I doubt if anything outside of myself really helped or hurt my music. …I’ve never been one of those dudes who got so strung out or fucked up that he didn’t know where he was or what he was doing. Grass, booze, heroin—it didn’t matter. I never did more than get my buzz. Then back to work."

Ray Charles (via explore-blog)

(Source: , via explore-blog)

Photo
regardintemporel:

Edward Weston - Nahui Ollin, vers 1920

regardintemporel:

Edward Weston - Nahui Ollin, vers 1920

(via sealmaiden)